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Matthew Sylvester has been training in the Martial Arts
since 1991. He currently studies Ao Denkou Jutsu, Kempo Ryu
Karate, Tae Kwon Do and Shunryu Kempo. |
What an interesting tool the internet is. Somewhere, there is a
post about the Karate Kid and how it influenced me. Someone else,
whom it also influenced, spotted my post and contacted me, asking
if I wanted to take part in a documentary.
I agreed to do this and suggested it would be really good if the
makers could train as they went across the world and that they were
very welcome indeed to come and train with our class.
I think nothing much of it, swapping emails with them as I continued
to look for a new job until I got an email saying that they were
coming over and that my invitation to train was the deciding factor!
The documentary examines the impact of the film, The Karate Kid.
Travelling across the globe, the film will expose the far-reaching
effects of the classic 80's hit.
Guiding us through the journey is Sean Cunningham, who is following
his dream to take karate. As a child, Sean's karate dreams were
cut short when the local karate instructor quit on the first day
of class. Now, at age 26, Sean will train and compete in a karate
tournament.
The crew have now gone and what an experience it was. From the
very start they were filming me, driving through Exeter, sat in
the lounge talking, filming Rick Clark footage (I thought I'd show
them what Sean was letting himself in for), me squeezing Sean and
the cameraman man on Spleen 6 at home, interviewing me as we walked
through Topsham and then filming the entire class (so no pressure)
as well as doing a wrap up at the end.
Sean took part in the class and, considering it was his first time
ever training, did very well.
He managed to make it through the pad work despite being kicked
in the stomach by one of the other students, performed Sajo Jirugi
well (again especially as it was his first time) and was very game
at performing the techniques we have derived from Sajo Jirugi for
white belts.
All the time Alex, the cameraman, was filming so the pressure was
on my students to do well, especially when paired with Sean. Senior
student, Karen, is known for 'putting techniques in' if you ask
her and so it was comic to watch Sean flinch as the first elbow
strike came crashing towards his face.
After doing the first 5 techniques, we moved on to simple pressure
points incorporating Low Block, Rising Block, Bending Ready Stance
(upright and on the floor), Spleen 6 (using hand and heel), Large
Intestine 7, Bladder 57 and Gall Bladder 31, and Large Intestine
10.
Because we had a number of new students attending, I explained
Prof. Rick Clark's 'Just Hit Here' theory, saying how one point
can lead to others opening up and therefore creating a predictive
response and getting students to look at what happened when a point
was hit (lightly) and how the opponent moved.
In order to make sure we got plenty of footage of showing Sean
training, Alex requested that I use him for the majority of the
pressure point applications. I'm sure that they'll be able to edit
the sniggering out later.
After that it was back home to freshen up, to drink some more excellent
Cyder (having gone to Dart's Farm in the morning to sample and stock
up) and have a curry with some of the less tired students.
It was a really exciting experience and I can't wait to get hold
of the stills, the raw footage and (in a good few months) the actual
finished documentary. Then, they're off to the film festivals (including
Sundance and Cannes) where, hopefully even more people will get
to see the documentary.
What a brilliant experience, a great opportunity for Practical
Tae Kwon Do and Practical Martial Arts as a whole and what fun!
I wish Sean good luck in his endeavour and hope that the next few
months (including the build up to the tournament) are not only filled
with quality training, dedication but also fun!
He has taken the first big step towards achieving his goal of training
in the martial arts and I for one think that to do so and to film
it is very brave indeed.
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