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Japanese mythology tells us that Ju Jutsuwas first practised
some two thousand years ago having been created by the gods, Kashima
and Kadori with the purpose of developing an art by which they could
chastise the lawless inhabitants of the eastern provinces of Japan.
Others believe that the art was brought to the Japanese mainland
from China by Chuen Yuan-pin during the Ming dynasty. This theory
cannot be accepted as records show that fighting arts using techniques
similar to those still used in modern systems existed as far back
as 22 B.C. Many names have been associated with this system of civilian
defence kempo, yawara, kugusoki, kumiuchi and taiho Jutsu
to name a few, but it was not until the foundation of Daitoryu
Aiki Ju Jutsu by the samurai Shinra Suburo Yoshimitsu
in around 1100 A.D that the term Ju Jutsu first appears.
During the Hojo and Muromachi periods (1100 to 1600) many different
types or styles of Ju Jutsudeveloped, each with it's own
emphasis on individual techniques. Kito Ryu - known for it's throwing
techniques, Takenouchi Ryu for immobilisation, Tenjin (Tenshin)
- Shin'yo Ryu for Atemi ( Striking to Vital points ) and grappling,
Yoshin Ryu for body shift and yielding , to name but a small selection.
Towards the end of the seventeenth century as a new modernism appeared
in Japan, Ju Jutsubegan to develop into a more complex art.
By the Meiji period, with the end of the Samurai rule, a number
of private schools ( Dojos ) had become well established and Ju
Jutsubegan to be taught and practiced in a more systematic fashion.
By the latter half of the 1800 a climate of change had taken over
Japan. Dr. Erwin Von Baelz (1849-1913) a German physician, who had
travelled to Japan to teach western medicine at Todai (Tokyo) University,
wrote -
"In the 1870s at the outset of the modern era, Japan
went through a strange period in which she felt a contempt for all
native achievements. Their own history, their own religion, their
own art, did not seem to Japanese worth talking about, and or even
regarded as matters to be ashamed of".
"The native methods of bodily exercise, Japanese
fencing, and jujitsu, and alike were placed under the ban. The older
generation would not teach and the younger generation would not
learn anything but European science."
Baelz took a great interest in traditional Japanese martial arts
and studied Totsuka-ha Yoshin-ryu Ju Jutsu under Totsuka
Eimi whom he had met whilst on a visit to Tshiba province to give
a speech on modern education. Believing that the vigorous exercise
of Ju Jutsu training would be beneficial to the students,
Baelz attempted to introduce classes at the University. But his
attempts were rejected by the medical school manager and it would
appear that the students themselves believed the need for self protection
was no longer required in the modern era!
Baelz enrolled the aid of a university student and young Ju
Jutsuexponent by the name of Jigoro Kano (1860-1938)
Having
started Tenshin-Shin'yo Ryu at the age of seventeen under Hachinosuke
Fukuda (1829-1880) and Masamoto Iso (1818-1881) the son of the founder,
Kano dedicated himself to the art of Ju Jutsu. When Iso died
in 1881 Kano continued his studies under Tsunetoshi Iikubo (1835-1889)
learning Kito Ryu as well as studying Takenouchi Ryu and Sosuishitsu
Ryu. In 1882 Kano opened his own Dojo, the Kodokan, at the Eisho-ji
Temple.
With Kano's aid a Ju Jutsucompetition was arranged to be
held in the great hall of the University. Given the timing of this
match, Kano was still a student which puts it pre 1881; I assume
Kano represented the Tenshin-Shin'yo Ryu. It appears that at this
meeting Kano and his other students lacked the skill to overcome
their opponents, as Baelz wrote-
"(The results of the match) made it clear how much
training is needed to learn this art, for all the young men who
had been working at it in Tokyo, not one, not even Kano, could cope
with the police officers who had been trained by Totsuka."
It is possible this defeat spurred Kano to re-assess his Ju
Jutsutraining and study in depth the principles behind the techniques.
In 1886 a re-match was held between the students of Kano's Kodokan
and the Students of Totsuka, in this instance the Kodokan came out
victorious winning thirteen matches and drawing two!
From this early start evolved modern Judo.
Edward
William Barton-Wright (1860 - 1951) an Indian born Scot spent three
years in Japan working as an engineer for a mining company. Whilst
there he became fascinated with the art of Ju Jutsuand took
lessons, probably Tenshin Shin'yo Ryu, the most popular of the older
systems of the time. Upon his return to England in 1898 Barton-Wright
opened his own martial arts school, 'The School of Arms'
in Shaftesbury Avenue, London, where he taught boxing, fencing,
wrestling and la savate. Barton-Wright named the style that he taught
Bartitsu, although it was basically Ju Jutsu. Maintaining
his links with Japan, Barton-Wright requested that Japanese experts
be sent over to England to teach at his club and to help him promote
the art of Ju Jutsu. In the September of 1900 the Tani brothers
arrived in England followed shortly afterwards by Yamamoto.
Barton-Wright
wanted the Japanese to perform in the music halls. Tani's elder
brother and Yamamoto disagreed with this and returned to Japan.
Shortly after, Barton-Wright brought in Sada kazu (Raku) Uyenishi
who, along with Yukio, had no such objections. For the next few
years Barton-Wright, Yukio Tani (1881 - 1950) and Uyenishi toured
the music halls and fair grounds of England demonstrating the art
of Ju Jutsu. During these demonstrations they entered into
challenge matches offering twenty guineas to anyone whom Tani failed
to defeat within fifteen minutes and £100 to anyone that could defeat
him.
Through Yukio Tani's appearances in the Music halls he came to meet
one William Bankier who worked in the music halls as a strongman going
under the stage name of 'Apollo'. Bankier took over as Tani's
manager, following a parting of the ways with Barton-Wright. By this
time Tani and Uyenishi had opened their own schools of Ju Jutsu
in Golden Square, Soho, and Oxford Street London and had founded the
British Ju Jutsu Society.
In the years to follow further instructors arrived from Japan to
either teach at the above clubs or to run independent clubs of their
own. These included Gunji Koizumi, who arrived in 1906 and stayed
for nine months before travelling on to America, Miyake, Ono and
Maeda who famously went on to travel to Brazil and found what is
now known as Gracie Brazilian Ju Jutsu.
In
1910 Gunji Koizumi returned to London and on the 26th of January
1918 opened the now famous Dojo in 15 Lower Governor Place, Victoria,
London. The Budokwai (The Military Ways Society ) which is
still running and teaching Ju Jutsu today. The fortunes of
the Budokwai flourished, having such famous members as E.J Harrison
who had previously trained in the Kodokan in Japan and holds the
honour of being the first Englishman to be awarded Shodan in 1904
by the Kodokan, and later became affiliated to the Kodokan.
Jigoro Kano himself visited the Budokwai in July of 1920 whilst
on route to the Olympic Games in Antwerp and awarded Tani, by then
Budokwai chief instructor, and Koizumi Kodokan Nidan certification.
Travelling with Kano was Hikoichi Aida who remained in Europe for
the following 10 years teaching Ju Jutsu throughout England,
France and Germany. During this visit a Budokwai member by the name
of Tanabe was awarded his Shodan making him the first person to
receive a Dan grading in England. In July 1948 Koizumi became the
first president of the newly founded British Judo Association.
From these early beginnings Ju Jutsu became firmly established
and spread throughout the UK.
Phil
Tann
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